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In 2014 Conan O'Brien and Hank Azaria performed the song live at a Simpsons-themed performance at the Hollywood Bowl entitled The Simpsons Take The Hollywood Bowl. In 1997 it was released as part of the Simpsons soundtrack album Songs in the Key of Springfield. The song commonly rates very highly on reviewers' rankings of the best Simpsons songs. Bustle felt the song " highlight the wonderful recipe of old fashioned small-town whimsy and modern cynicism and aggressive ignorance" that makes up Springfield. Paste Magazine deemed it the "quintessential Springfield ensemble number", and noted how the song summarizes the town's general mob mentality while giving individual characters their moments, and showing that even the 'smart' people of Springfield can be duped. Junkee felt it was "One of the show’s most overt tributes to musical theatre", and described it as the most "uniquely memorable" the Springfield "hive mind" ever got. The Washington Post deemed it a "ndup" of The Music Man. Popular personal statement ghostwriters services for college cover page for term paper, essay on importance of hindi language, alonzo luces doctoral dissertation to How school projects.
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It felt the song acted as a "commentary on corruption in political infrastructure" that filled the viewer with "pure dumb joy". Dumb little man resume robber barons vs captains of industry essay how to write servlet programe to verify the password. Like the musical on which its based, Bustle argues the song teaches "small lesson in infrastructure and the real reason cons work". (leans in) And that includes your teacher!, The Simpsons, quoted in Bustle Critical reception and analysis īustle deemed it a "quintessential moment" of The Simpsons, when the whole town is caught up in a group number. Lanley: I could answer that question for you, but you and I would be the only ones here who would understand the answer. Lisa: Why build a monorail in a small town with a centralized population around a town center? Īn exchange between Lisa and Lanley, highlighting how showmanship masks the truth. During the song, the residents of Springfield get "swept up in Lanley's patter". The song is based on " Ya Got Trouble" from the 1958 musical The Music Man, which also concerns a fast-talking salesman conning a small town, with the chorus repeating the word "trouble" under dialogue. The chorus sings the word "monorail" three more times, and Homer Simpson attempts to sing one more: "mono- D'oh!" Her son Bart points out that "the mob has spoken." The crowd is swept into a frenzy, singing a chorus of "monorail." The only person continuing to dissent is Marge Simpson, who hoped to spend the money on fixing Main Street's potholes.
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The song begins with a repeated whispered chant of "monorail," as Miss Hoover, Apu Nahasapeemapetilon, Barney Gumble, Abraham Simpson, and Chief Wiggum each question his plan in turn, to which Lanley rebukes each with a rhyming phrase. The song sees a traveling salesman razzle dazzle the local town into spending their windfall of money on a monorail, with all criticism being washed aside through the charismatic performance. " The Late Philip J.The song was written by then-show runner Al Jean and Conan O'Brien, and was performed by Phil Hartman as Lyle Lanley, along with other Simpsons characters."OK, we've got the hot tub hot, the wine coolers cool."I'm proud to be the shepherd of this herd of sharks.".You get back to the farm, shift some paradigms, revolutionize outside the box." "I also would have accepted: Blank? BLANK?! You're not looking at the big picture."."Don't you worry about blank, let me worry about blank."."Switzerland is small and neutral! We're more like Germany: ambitious and misunderstood."."We can dance! Dun dun dun dun dun dunun dun dun."(Referring to the song known as Safety Dance).Fry" as Fry, Professor Farnsworth, and Bender were time traveling in the second existence. He also appears in the episode " The Late Philip J.
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